Showing Off

Mhairi Sutherland

An exhibition of moving image by women artists and film makers

In association with WMM Women Make Movies New York

Void is proud to present a programme of documentary, experimental and dramatic works in association with Women Make Movies (WMM) New York

‘Showing Off’ is an exhibition of moving image by women artists and film makers that explores the international diversity, history and achievement of women film makers and artists curated by Mhairi Sutherland.

The thematic framework is that of civil rights explored from a feminist perspective, viewed through the lens of current events impacting on movement and immigration issues. In March, the month of International Women’s Day, Void is proud to present a programme of documentary, experimental and dramatic works in association with Women Make Movies (WMM) a New York based media arts organisation. First established in 1972 in order to address both the under and misrepresentation of women in the film and media industries, WMM provides services for both makers and users of film and video.

In 1997 the Museum of Modern Art in New York (MOMA) honoured 25 years of WMM with a special tribute and retrospective exhibition showing 25 Women Make Movies titles, whilst in the 30th anniversary year WMM presented a record breaking ten films at the Sundance Film Festival, including the Special Jury Prize winner Lourdes Portillo in January 2002. Currently WMM collects and distributes over 500 films, representing over 400 film makers, from 40 countries worldwide. Integral to the film screening season at Void will be a dynamic weekly programme of discussion and screenings of film and video made by locally based film makers, aimed at connecting the themes of the international screenings with the issues of community interest groups and individuals.


Feature Films Gallery 2

Tuesday 28 – Saturday 1 April 
Girl From God’s Country: The History of Women in Film and Other War Stories
A film by Karen Day (US, 2016, 66 minutes)

This feature film is the untold story of the first female independent filmmaker and action-adventure heroine, Nell Shipman (1892-1970), who left Hollywood to make her films in Idaho. An unadulterated, undiscovered adventure tale of a pioneering woman who rewrote the rules of filmmaking, and, in so doing, paved the way for independent voices–especially prominent female voices in today’s film industry. Her storylines of self-reliant women overcoming physical challenges in the wilderness and often, rescuing the male lead, shattered the predictable cinematic formulas of large studio productions.

Tuesday 4 – Saturday 8 April 
Reflections Unheard: Black Women in Civil Rights
A film by Nevline Nnaji. (US, 2013, 81 minutes)

Where do black women activists fit into the epochal struggles for equality and liberation during the 1960s and 70s? This feature-length documentary unearths the story of black women’s political marginalisation—between the male-dominated Black Power movement and second wave feminism, which was largely white and middle class—showing how each failed to recognize black women’s overlapping racial and gender identities.

Tuesday 11 – Saturday 15 April 
Deep Run
A film by Hillevi Loven (US, 2015, 75 minutes)

Executive produced by Susan Sarandon, the film is a powerful verité portrait of trans life in rural North Carolina. Exiled by her family and rejected by an ex-partner, 17-year-old Spazz has no one to lean on for support. But when Spazz falls in love again and summons up the courage to become Cole, a strong-willed trans-man, his candid humour and steadfast, all-inclusive Christian beliefs counter the bigotry he experiences daily. This deeply personal documentary reveals rebirth and courage within America’s deeply conservative Bible Belt as Cole struggles to find a church that will affirm his identity and the couple's relationship.


Tuesday 18 – Saturday 22 April 

Private Violence
A film by Cynthia Hill (US, 2014, 77 minutes)

This EmmyTM Nominated documentary explores a simple but deeply disturbing fact of American life: the most dangerous place for a woman in America is her own home. Every day in the U.S., at least four women are murdered by abusive (and often, ex) partners. Through the eyes of two survivors—Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women—we bear witness to the complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible, but embedded in many women’s lives.


Tuesday 25 – Saturday 29 April
Alice Walker: Beauty in Truth
A film by Pratibha Parmar (US, 2013, 84 minutes)

This expressive film tells the compelling story of an extraordinary woman. Alice Walker made history as the first black woman to win the Pulitzer Prize for fiction for her ground-breaking novel, The Color Purple. Her early life unfolded in the midst of violent racism and poverty during some of the most turbulent years of profound social and political changes in North American history during the Civil Rights Movement. Mixing powerful archival footage with moving testimonials from friends and colleagues such as Howard Zinn, Angela Y. Davis, Gloria Steinem, Beverly Guy-Sheftall, Quincy Jones, Steven Spielberg and Danny Glover.

Tuesday 2 – Saturday 6 May 
Fighting the Silence: Sexual Violence against Women in the Congo
A film by Femke & Ilse van Velzen (Netherlands/Congo, 2007, 53 minutes, French, Subtitled)

The Democratic Republic of the Congo’s seven-year war was the deadliest ever recorded in Africa. During that time, more than 80,000 women and girls were raped. Only now that the country is formally at peace are the consequences of the brutality becoming truly visible. This film tells the story of ordinary Congolese women and men that are struggling to change their society: one that prefers to blame victims rather than prosecute rapists. Rape survivors and their families speak out openly about the suffering they endured because their culture considers women second class citizens and rape a taboo. They give voice to thousands of other survivors and their families who have chosen to hide their grief and remain silent for fear of being rejected by their families and community. Soldiers and policemen share their (shocking) views about why rape continues to flourish despite the war having officially ended four years ago.

Tuesday 9 – Saturday 13 May
Into the Sea
A film by Marion Poizeau (France, 2014, 52 minutes)

This powerful, uplifting film features Iranian women Mona Seraji, Shahla Yasini, with champion surfer Easkey Britton, an internationally renowned surfer, artist, scientist and explorer from Ireland, with a PhD in Environment and Society. Accompanied by French filmmaker Marion Poizeau, Britton went to Iran with the simple goal of sharing her love of surfing and making it accessible to everyone. Mona, an Iranian snowboarder, and swimmer Shahla, joined them. Together they planted the seed for new opportunities and made history, becoming the first women to surf in Iran.

Tuesday 16 – Saturday 20 May 
Forbidden Voices: How to Start a Revolution with a Computer
A film by Barbara Miller (Switzerland, 2012, 96 minutes, Subtitled) 

Their voices are suppressed, prohibited and censored. But world-famous bloggers Yoani Sánchez, Zeng Jinyan and Farnaz Seifi are unafraid of their dictatorial regimes. In Cuba, China and Iran their blogs shake the foundations of the state information monopoly, putting them at great risk. This film accompanies these brave young cyberfeminists on perilous journeys. Eyewitness reports and clandestine footage show Sánchez's brutal beating by Cuban police for criticizing her country's regime; Chinese human rights activist Jinyan under house arrest for four years; and Iranian journalist and women's advocate Seifi forced into exile, where she blogs under a pseudonym. Tracing each woman's use of social media to denounce and combat violations of human rights and free speech in her home country, this film attests to the Internet's potential for building international awareness and political pressure.